An interview from the 2025 NAB Show in Las Vegas with Bob Caniglia of Blackmagic Design. Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries.

At NAB 2025, Blackmagic Design announced the Blackmagic PYXIS 12K, a new digital film camera that features a revolutionary 12K RGBW sensor in the versatile PYXIS camera design. This new model features the same sensor as URSA Cine 12K LF with a massive 16 stops of dynamic range along with dual CFexpress media recorders, 10G Ethernet and Blackmagic Cloud global sync, all in a customizable body. Blackmagic PYXIS 12K is available in three models, with customers able to choose between L-Mount, PL or Locking EF lens mounts.

With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera customers need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4 and 3/8 thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extends the ability to mount accessories such as handles, microphones or even SSDs. All this means customers can build the perfect camera for the any production that’s both rugged and reliable.

Blackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040. That's almost three times larger than a Super 35 sensor and lets customers shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether users are shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets customers shoot up to 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives customers the same quality as the most expensive digital cinema cameras.

Using the full area of the sensor gives customers a unique open gate 3:2 image which also lets them reframe their shots in post production. The large sensor also lets customers work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. Customers can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of their shot that fits seamlessly with open gate footage.

Customers can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing customers to use a wide variety of new and vintage lenses. The EF model lets customers use high quality photographic lenses they already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets customers work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter.

For more information please visit: www.BlackmagicDesign.com